Sunday, January 20, 2013

Finding Morning--Blog Entry #1

Washington Cemetery Entrance
Dear good naked morning, it is me again. I cannot remember the last time we spoke, but I remember your face and the way it lights like the moon in its waking. I’m visiting you from the Washington Cemetery where my uncle spends his forever after. Today I am not here for him, but for you; to see your heavy and pure wash tub of a body drip another day onto the souls that do not remember your face. It is 7 am on a quiet Sunday in mid-January and for me you have just woken up. Your sky is bright as the tip of a just-lit cigarette. Your sky is snowing, morning. White stencils fall from her, expiring into each grave, the home of each still body, like fleeting prayers. A pigeon sweeps his breast against her skin, offering, for a moment, a long river in the snow. He knows, even under the snow’s weight, he will remain a part of her.
At this time of year, in this “thin place,” you do not get many visitors. I am the only breathing human body that I can see, but I do not feel alone. Your body, at 32 degrees, falls all around me, pierces my skin like wet strands of hair, to let me know you are here. I am sitting at the edge of a cedar bench, where the land gives a little under the slope of a hill. A squirrel sits on the top of a nameless stone engraved with the words “My Husband” as if she is waiting for someone, as if she has been there a very long time.
This cemetery is called a “thin place” because the boundary between the physical world and the spiritual world is blurred. This is a place where damage and beauty meet, where there is always life among the dead. Are you the mediator, morning; you so close to the spiritual and yet so a part of the natural? Where is my place here? Do you recognize me as among the living or am I too, a blur?
Cemeteries are a landscape for mourning or healing, but I do not feel up for either. It is nice to just be here with you, to be still as your fierce wind tries to level me.  Everything solid—my body, the gravestones, the thick pines—is a shield against him. He is strong and persistent as if mourning some great loss. Last night, in a seeming rage, he threw a tree on its back, tearing its spindling legs from their roots. It lies lifeless today surrounded by a crowd of gossiping headstones. I wonder if the wind feels my body the way I feel his. Do I penetrate his bones, chill his spine? Does his body calm after passing through mine? Does his body heal?
I begin this blog here, with you, as a way to know nature’s role in human suffering and perhaps human’s role in the sufferings of nature. My father visited his brother’s grave almost every day for years. I want to know what he found. Do you know him, morning? Do you know if he is healed? If he is still healing?
From “Forms of Prayer”
Miraculum
Ruth L. Schwartz

1.

Bring me all the days, I say. Beaten, weeping, scarred.
Bring me the blossoming, the hidden branches.
Bring me the promises, the limbs that break them.
Bring me the love, the history we can’t stop making:
sail-planes of the shoulder blades, slope of hip and thigh.
Relentless untamed life of flesh. Sweet grief.
Bring me before and after; wedge me in between.
Our lips and bodies, our burial grounds.
Together, we dig and undig ourselves
like children in sand.


Aerial Photo of Washington Cemetery

4 comments:

  1. "...to be still as your fierce wind tries to level me." I think this is a beautiful expression of being in this place as well as the experience of grief. This is a lovely, lyrical reflection on this place and what you find there: the wind, headstones, and questions. You return to this place not specifically to visit the memorial to a loved one, but for other reasons, yet your last lines still ask questions regarding your uncle and more poignantly, your father. I can't wait to see how these reflections continue in this cemetery as the seasons move from one of death to life.

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  2. Well played, my friend, well played. I love this hybrid form you're doing here. Addressing the naked morning, how beautiful of a sentiment, especially ironic and positively perplexing in a graveyard. But, who says a graveyard cannot be a great place of inspiration, a place where you feel new and free?

    It is as if you are speaking with an old friend. I tried not to cry. It is so real when you speak of not being up to either mourning nor healing, that all you can do at the moment is be. It is true that this is hard enough. Can that not be natural, if we are still looking for definitions?

    From the prospective of a writer it is a great way to distance us from the shadow of the grave by addressing the morning instead of the cemetery or a grave stone. It also gives you some room to play with morning and mourning in possibly some unique ways so I hope that you do that. It would also be my hope for you to explore some very embodied descriptions of plant life such as Ruth Schwartz explores in many, many of her poems, especially in Dear Good Naked Morning, which is my favorite.

    Find every angle and bend it. We are after all poets trying for prose and I thnk you bring some great lyricism to this blog. Let's see how far beyond lyricism you can go with the bones of this cemetery.

    -D :)

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  3. I find your poetry profound and your writing like icicles. It is sharp and crisp, visible with substance yet diaphanous in form. The juxtaposed play on words with morning and mourning is penetrating and appropriate in this context. Hell, in every context. There is a passion in your words. Feeling flows through them to me back to them with renewed effort. I like swimming with your writing. I feel like i am in a somnambulist or hypnopompic state traversing your pshycological landscapes between the greeting of a new day and the passing of the last moment. I have been folowing your discussions and postings with interest because of your talented prose. I am so impressed with everyones work. There are some very fine writers in this class to be sure. I am just an admirer of writers. You are a damn good one. Peace.

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  4. A lovely and inspired start to the reflections on this place. I appreciate how you've balanced the lyrical with the concrete detail. I think Daeja has given you sage advice as you continue to explore what this place has to offer: Let's see how far beyond lyricism you can go with the bones of this cemetery.

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